Americana: Future Rural | The Dock

Images: 1: Farm (Pryor, Oklahoma) 2015. John Gerrard. 3D Simulation. 2Farm (Pryor Oklahoma) & Growth Finish Unit (near Arkansas) 2008. Installation view at Witte de With, Rotterdam. Images courtesy the artist & Thomas Dane Gallery, London. 3: The Black Hornet, 2014.M12 Studio. HD film.  4: Tumbleweed, 2015. Kim Shively. HD film. 5: The Last Day Diary, 2014. Brian Duggan. HD film.


Americana: Future Rural

Curated by Linda Shevlin

Preview: 6pm, 24th March

Continues until 30th April

The Dock, Carrick-on-Shannon, Co. Leitrim.


Presenting work by both Irish and American artists with publications by M12 Studios, USA.

Americana: Future Rural is an important exhibition which has been developed from time Linda has spent on residency with M12 Studio, Colorado (USA) and is driven by her interests in rural representation in international contexts. The subject of the exhibition comes from the increasing desire for an expanded view of land use and the commoditisation of rural space, the loss of wilderness and notions of displacement and replacement. The exhibition provides a perspective on the past, present and future manifestations of Rural.

Linda Shevlin’s long links to The Dock extend back to 2005-2008, when she was artist in residence. More recently Linda has been curator in residence with Roscommon Arts Centre/Roscommon Arts Office, supported by the Arts Council. Linda’s curatorial projects emphasise the idea that the visual is an assimilatory process continuously at work in the construction of cultural, political, personal, and national identities. Her interests are in histories, and their intersection with the present, and in how traditions in art can be revealed through research in archaeology, history, technology and ethnography.


Brian Duggan lives and works in Dublin. Usually working from extensive research the artist navigates unusual cracks and problems within particular structural frameworks, taking both personal testimony, throw away comments and official documents to build and explore overlooked situations.

The Last Day Diary, featuring John Hurt, is a film inspired by a specific historical relic from the Johnson County War in 1882 Wyoming; a hand written letter found on the body of Nathan D. Champion who was falsely accused by a wealthy Wyoming cattleman’s association he was the first person murdered by a band of hit men hired by the cattlemen. The film is a powerful but contemplative film which draws on the pressures between those with land and those without. The Last Day Diary expands on Duggan’s larger body of work which is influenced by themes in the film Heaven’s Gate (1980) a film based on A.S. Mercer’s 1894 book Banditti of the Plains. The book, which was banned in Wyoming due to political embarassment, is an eye-witness account of local small homesteader immigrant groups who were harrassed into abandoning their plots of land to earlier, polictically connected settlers having manipulated cattle grazing rights.



John Gerrard is an Irish artist, working in Dublin and Vienna, best known for digital simulations displayed using Real-time computer graphics. Many of Gerrard’s surreal works have featured geographically isolated industrial facilities that are a hidden part of the global production network, a by-product of consumption and data driven contemporary life. Indeed, Farm (Pryor Creek, Oklahoma), 2015 is a portrait within the virtual of a Google data center in Oklahoma.

After being denied access to Google’s data farm in Pryor Creek Oklahoma, Gerrard hired a helicopter to produce a detailed survey of this significant site, a pointed reminder that information and data is being farmed and this architectural form is a physical manifestation of modern society’s social and private information. At a time when crop prices continue to fall, squeezing smallholder farmers out of business, these data farms represent a potentiality around future land usage. Farm (Pryor Creek Oklahoma) is being presented along with Grow Finish Unit (near Elkhart, Kansas) where the similarities between the architectural space of the data farm bears a startling resemblance to the vernacular architecture of the livestock facilities in Gerrard’s earlier work.

John Gerrard is represented by the Thomas Dane Gallery, London.


Kim Shively is a filmmaker based in Denver, Colorado. Her work leans towards the strange, the haunting, the beautiful and the damned and is currently in the post-production stages of a documentary short about the 1961 film “The Misfits”.

Kim Shively will be presenting a film installation “Tumbleweed”. Over the last century, the tumbleweed has embodied the roaming frontier spirit of the American West, it has been romanticized and many times objectified, reinforcing our pastoral dreams of the country. But today an ecological war has ensued in the high plains region, a battle fought by farmers against a brazen and bold plant staking claim in fields across Colorado. Tumbleweed, a four part documentary film, explores the past and current day history of the Russian Thistle and Kochia plant—both, commonly known as tumbleweeds in their dried out form. These perennials are extremely adaptable and thrive in all weather conditions, making them indestructible and capable of choking out food systems across the United States. Filmed near Last Chance, Cheyenne Wells, and Burlington, Colorado, the series divides into four seasons exposing the tumbleweed life cycle in these rural locales. Shively, known for the idyllic and reticent qualities of her films looks through a bucolic lens, giving us a story of one dried up plant pushing its way through the rural landscape.


M12 Studio is known for groundbreaking and award-winning creative projects that explore the aesthetics of rural cultures and landscapes. M12 is an interdisciplinary group based in Colorado on the American High Plains that create context-based art works, research projects, and education programs. Working in the fields of art and design, they favour projects that are centered in rural areas and which can be developed through dialogical and collaborative approaches. Their projects explore community identity and the value of often under-represented rural communities and their surrounding landscapes.  They strive to be stewards of effective local and global creative problem solving, and a community resource for evolutionary thinking and innovative communication.





Linda Shevlin has curated, facilitated and managed both large and small-scale visual arts projects including the 53rd Venice Biennale where she was project manager for the representative artists Gareth Kennedy & Sarah Browne and is Tulca Festival curator for 2018.

In 2017 she was the invited curator for the Hennessy Art Fund, purchasing new works for the IMMA collection and also curated the visual art programme for Bealtaine Festival 2017/2018 where she developed projects, commissions, residencies & exhibitions. with numerous Irish artists including Vivienne Dick, Kathy Prendergast, Kevin Gaffney, Pauline Cummins and Frances Mezzetti.

In 2016 she curated Radical Actions at RMIT Galleries, Melbourne as part of Culture Ireland’s 2016 International Programme ‘I Am Ireland’. The exhibition featured works by Duncan Campbell, Jesse Jones, Kennedy Browne and Seamus Nolan.

Other recent independent curatorial projects include Americana: Future Rural featuring John Gerrard (IE), Brian Duggan (IE), Kim Shively (USA) and M12 Studio (USA) at The Dock, Leitrim and Amharc Fhine Gall X commissioning Ella de Búrca, Ruth Clinton and Niamh Morriarty.

She has been awarded the Arts Council of Ireland’s Visual Arts Curatorial Residency award for three consecutive years (2013 – 2016) and in that time has produced a series of events and exhibitions in County Roscommon including newly commissioned works by Maria McKinney (IE) and Sean Lynch (IE); public art projects by Sean Rafferty (AUS), Ruth E. Lyons (IE) and Deirdre O’Mahony (IE), exhibitions by Martin Parr (UK), Duncan Campbell (IE) & Eamon O’Kane (IE) and a symposium titled The Workers with contributions from Adam Sutherland of Grizedale Arts (UK) & M12 Collective (USA) among others.

Shevlin is currently curator in residence with Roscommon Arts Centre & Solstice Arts Centre.


Linda Shevlin
Tivanagh School
Co. Roscommon
+353 86 605 2571
+353  71 966 4606